Article voiceover
It’s a knee-high oak, the merest stick of a tree, planted because I’ve seen enough to know the ground here floods each spring, and so these dormant buds will awaken, when they awaken, where a swamp oak likes to grow. When I spoke my plans to others, this is what I said: “It’s the right tree for this place,” …not that I’d near certainly be dead before it reached the age at which I stand before it now. But then, do we ever see the end of anything? Or even the start? When, for example, can we really say begin the lives of the children to whom we lovingly attend? And from where come our kindness, love, our good works, and all our art? Then again, even when people and things are lost to our embrace and stirred into the world, they leave a trace. Once, near my piano teacher’s house, age ten I met a man of many years who pointed to the elms that on both sides lined the street, branches touching high above our heads. As a boy, he and his father had planted them, he said. The man himself stood gray as weathered wood, yet even as a child, I grasped something of the meter, the tempo and the grand movements toward which he gestured like a maestro with his arms outstretched: I saw the silent symphony. Clearly, that encounter still resounds. But what about this slender hope here planted at my feet? I’ve learned that measuring the outsides of things from end to end is good for carpentry and cordwood or, I suppose, when crafting spruce and willow into fiddles. That’s fine, that’s fine… …it’s just that life, unbroken, measures things from middles. And so, for this small tree and me to be complete, to see one spring together, yes, that will do it, or just one day, ONE DAY! or even perhaps this brief now in which I kneel again before it to firm its roots, and hold with muddy hands the long, deep chord of earth, as one would pray.
Clifford, this poem is amazing and beautiful! Thank you, thank you ❤️